Someday, a girl is going to give you a flower.
have you inappropriately shipped a young teenager and an almost man today (but only in a future way, like, an after she’s legal and fully able to consent to and participate in a relationship way, like, in a slightly less skeezy way)? just checking.
Marina Abramović, Rhythm 0, 1974
“This piece was primarily a trust exercise, in which she told viewers she would not move for six hours no matter what they did to her. She placed 72 objects one could use in pleasing or destructive ways, ranging from flowers and a feather boa to a knife and a loaded pistol, on a table near her and invited the viewers to use them on her however they wanted.
Initially, Abramović said, viewers were peaceful and timid, but it escalated to violence quickly. “The experience I learned was that … if you leave decision to the public, you can be killed… I felt really violated: they cut my clothes, stuck rose thorns in my stomach, one person aimed the gun at my head, and another took it away. It created an aggressive atmosphere. After exactly 6 hours, as planned, I stood up and started walking toward the public. Everyone ran away, escaping an actual confrontation.”
This piece revealed something terrible about humanity, similar to what Philip Zimbardo’s Stanford Prison Experiment or Stanley Milgram’s Obedience Experiment, both of which also proved how readily people will harm one another under unusual circumstances.”
This performance showed just how easy it is to dehumanize a person who doesn’t fight back, and is particularly powerful because it defies what we think we know about ourselves. I’m certain the no one reading this believes the people around him/her capable of doing such things to another human being, but this performance proves otherwise.”
I heard about this performance piece. Not the results though. I remember being afraid because that is a deeply dangerous position to place your self in. The amount of trust is a miracle. The Art is what happens inside of you and inside of them.
I disagree with one conclusion though, I certainly believe the people around me are capable of such acts. The choice not to do them is not evidence of inability to take such actions.
AND THEY WERE PERFECT PARENTS TOO!
They were fiercely proud of their children’s accomplishments.
They played together as a family.
They went to school plays, parent/teacher interviews, and helped with school work.
They co-parented, Gomez was just as active in raising their children as Morticia was.
When their children wanted something that they disapproved of, they were disappointed but relented because it would make them happy.
Plus, all TV married couples kind of hate each other and argue 90% of the time for the sake of comedy, but these two have always seemed to be forever and always in love, which is kind of sweet.
And if that’s only possible because they’re weirdos, what does that say about us?
They were also the first married couple on tv that showed to be sexually active!
Marina Abramovic meets Ulay
“Marina Abramovic and Ulay started an intense love story in the 70s, performing art out of the van they lived in. When they felt the relationship had run its course, they decided to walk the Great Wall of China, each from one end, meeting for one last big hug in the middle and never seeing each other again. At her 2010 MoMa retrospective Marina performed ‘The Artist Is Present’ as part of the show, a minute of silence with each stranger who sat in front of her. Ulay arrived without her knowing it and this is what happened.”
“En los años 70, Marina Abramovic mantuvo una intensa historia de amor con Ulay. Pasaron 5 años viviendo en una furgoneta realizando toda clase de performances. En 1988, cuando su relación ya no daba para más, decidieron recorrer la Gran Muralla China, empezando cada uno de un lado, para encontrarse en el medio, abrazarse y no volver a verse nunca más. En 2010 el MoMa de Nueva York dedicó una retrospectiva a su obra. Dentro de la misma, Marina compartía un minuto en silencio con cada extraño que se sentaba frente a ella. Ulay llegó sin que ella lo supiera, y esto fue lo que pasó.”
THIS IS MARRIAGE!!
Thats right!
Permission to be a bad ass. Nod.
He looks back at the guy like, “SEE THAT? SHE SAID YES. YOU’RE SO FUCKED.”
Like, guys. Sparta was so kick ASS sometimes when it came to women. Spartan women were given these small knives so that if their husbands came home and tried to hit them or assault them, they had a weapon within reach. That weapon was for CUTTING THEIR HUSBANDS’ FUCKING FACES so that when he went out in public everyone would know he was an asshole, abusing jerkface and they would publicly shame him.
I DID NOT KNOW THAT THAT IS GREAT
LET’S JUST TALK ABOUT SPARTAN WOMEN FOR A SECOND.
In Sparta, women could own land and were considered citizens. THAT IS A HUGE BIG FUCKING DEAL. Why? Because that was RARE AS FUCK and there are lots of places TODAY where women don’t even get that much.
Divorce was totally fine, and a woman could expect to keep her own wealth and get custody of the kids because paternal lineage wasn’t very important. And it didn’t make her a pariah! She could totally remarry, no big deal at all.
Spartan women participated in some fuckin’ badass sporting events, too. And because they were expected to be as physically fit as the Spartan menfolk (who all had to serve compulsory military duties, btw, and couldn’t marry until they finished them at thirty) they didn’t have time for lots of swishy dresses. So they wore notoriously short skirts. According to some accounts, their thighs were visible at all times. HOLY SHIT.
Also, In Sparta men only got their names on their graves if they died in battle. And women? Women only got their names on their graves if they died in childbirth. THE SPARTANS COMPARED CHILDBIRTH TO FUCKING BATTLE AND IT WAS VIEWED AS A GODDAMN BADASS AND HONORABLE WAY TO GO OUT.
FUCKING SPARTAN WOMEN. THIS DUDE HAD FUCKIN’ BETTER MAKE SURE SHE’S COOL WITH WHATEVER HE’S DOING, IF HE KNOWS WHAT’S FUCKIN’ GOOD FOR HIM.
